Seymour Duncan Alnico II Pro Slash

Can't stretch to Slash's signature Gibson? Try these instead

The cost of Gibson's Appetite Les Paul might have left you reeling, but Seymour Duncan's offering means you can throw yourself top hat first into the Snakepit at a snip of the price.

These Alnico II Pro Slash neck and bridge humbuckers (available individually or as a pair, with either Black, Zebra or Reverse Zebra bobbins) are the same units that feature in the Appetite Les Paul.

They're supplied with a two-conductor cable, so can only be wired as standard 'buckers out of the box. Installing pickups like this is as easy as it gets, but clear instructions ensure even newbies get these into their guitar quickly.

Plugged in, both pickups are particularly rich sounding compared to the stock models in our LTD Eclipse. The neck 'bucker delivers a fat rhythm sound that doesn't get too flabby when you add some distortion, and with the tone rolled back slightly you can achieve Slash's famous neck lead sound.

The bridge pickup opens up more upper mid range, making those sustained powerchords and cutting lead tones easily achievable.

Signature gear can be divisive and usually carries a hefty price tag. However, the only visual sign of these pickups' signature status is the Slash scrawl on the baseplate, and if you shop around you'll notice that they're not much more than Duncan's standard Alnico Pro II pickups. Slash fan or not, these pickups give more classic/hard rock sounds for your pound.

MusicRadar Rating

5 / 5 stars
Pros

Great tone at a reasonable price.

Cons

No coil tap wiring option.

Verdict

A fine pickup for classic/hard rock guitarists.

Features

Available finishes: Black, Zebra, Reverse Zebra

Magnets

Alnico II

Pickup Positions Possible

Bridge Neck

Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.

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