The 6505 Mini Head is based on Peavey's flagship 6505 design, with the same gain structure and similar front panel features.
These include separate rhythm and lead preamp and master volume controls, low, mid and high EQ, a bright switch on the rhythm channel, power stage presence and resonance, together with a footswitchable crunch mode for the rhythm channel.
Rear-panel features are identical to the other two mini heads, with the same speaker, DI, loop and footswitch functions. Despite having significantly different sounds, all three heads have a similar 'family' look, as the cabinets are all the same size and share Peavey's typically high build and finish quality.
The 6505 is even more focused, aimed squarely at modern rock and metal players. It's a bang-up-to-date version of the amp formerly known as the 5150, a popular choice for rock and metal users all over the world, and not just because of theVan Halen association.
This amp's bone- crushing thick distortion is the product of a lot of preamp gain stages and a powerful resonance control that boosts the low-end response. While it has less than half the preamp valves of its full-sized big bro, it still sounds remarkably similar, with the same full bass response and OTT crunch sounds that eclipse most players' notions of a good metal lead sound.
The 6505's lead channel squeezes out even more grind and sustain for a superlative rock and metal sound, although like the original, it takes some dialling in to achieve the best results.
All three amps in the Mini Head impress with their similar back panel features: the MSDI output sounds quite realistic and delivers a good clean signal to live or studio desks, while the USB connector works faultlessly on our Win7 PC DAW. A good word is due for the built-in reverb, too, which sounds a lot more expensive than it is and easily frees up an outboard digital effect.
Peavey's manufacturing and design expertise has been fully leveraged with these three heads; they look great and sound very impressive, with power and clean headroom to handle most smaller gigs, and studio-friendly features that make a huge difference when it comes to getting tracks down fast. The price is reasonably competitive, bearing in mind these are all real valve amps and all three heads look and sound anything but bargain basement.
