The Edge uses a wide arsenal of guitars, but one of his all-time key guitars is his 1973 black Strat (he was also elected to Fender's board of directors in 2014).
If its large headstock hints at that original guitar, it's updated here in numerous ways and, it's been tweaked for pro use, pure and simple.
That said, it's loaded with pretty run-of-the-mill updates that you'll find on plenty of contemporary Strats, including: the 241mm (9.5-inch) flatter radius fingerboard, a contoured heel, the modern two-post vibrato with its pop-in arm, rear-wheel locking tuners and Schaller strap locks, a mint-green scratchplate that gives a subtly vintage vibe, aged white knobs and light toning to the maple neck and fingerboard.
Incidentally, the neck is spec'd as quartersawn (as opposed to slabsawn) maple: "The strong and stable upgraded quartersawn maple generates a slightly brighter tone," says Fender.
It's a pretty straightforward drive, too, with a pair of Fender Custom Stagger (flat-pole) Fat '50s in middle and neck positions and a high-output DiMarzio FS-1 to replicate the pickup on The Edge's '73, which he'd retrofitted back in the day.
Bearing in mind the FS-1 pickup was launched back in 1974, it may like seem an odd choice with today's range of options, but if it ain't broke... There are no wiring tricks, just the modern spec tone 1 for the neck pickup, and tone 2 for the middle and bridge, the latter being a No-Load control for maximum treble response.
Feel & Sounds
The Edge's neck feels very familiar, very mainstream compared with the more potentially Marmite feel of the recently-reviewed Marr Fender, which is deeper front to back with a more rounded, more D-like steeper shoulder feel.
Supplied setup between those two is noticeably different, too – although that, of course, is easily changed. The Edge goes for 0.009 to 0.042 gauges; Marr has 0.010 to 0.046 (it also comes with an 0.011 to 0.050 flatwound set in the case, for the brave among us).
Most players will find The Edge a more direct, familiar drive that centres on a bright, chiming voice on its neck and middle pickups, with a stronger, more focused but not hugely unbalanced bridge. Played with a little compression, modulation and, of course, delay, it's effortless to produce those sounds of the man himself.
But there's plenty more here, and the combination of the balanced neck and middle with that more gain-friendly bridge pickup makes for a hugely versatile vehicle. Indeed, Fender tells us the hardly-Edge-like Noel Gallagher has taken delivery of a couple of these scratchplates and loves them.