It's been just eight years since Blackstar's Frankfurt debut. Fast forward to today, and the Brit brand is firmly established as a major global force in amp manufacturing, with an impressive user list and a broad catalogue covering practically any musical need.
As you might expect, high-gain amps feature in abundance for 2016, and Blackstar has added two much-anticipated new Artist Series combos. Today we're looking at the Artist 30.
Both the 15 and 30 combos have simple, understated styling. Ply cabinets covered in seamless heavy-duty vinyl combine with a custom vintage woven paper speaker grille cloth anda gloss black control panel. The electronics are contained in a vertically mounted, open-ended tray chassis, which is robust without being too heavy.
Unlike the Artisans, the Artists are printed-circuit-board based, with one large board holding all the main components including the front-panel controls, and a smaller one for the rear-panel connections.
The boards are very high quality, double-sided and through-plated, with a typically neat layout featuring a mix of conventional resistors and capacitors alongside miniature surface- mount stuff and bases for the ECC83 preamp and 6L6 output valves.
"The amp looks smart and purposeful, with a style that manages to be vintage and modern at the same time."
Everything looks robust and built to handle regular use; the preamp valves are deeply recessed and held by large plastic grommets, which helps reduce noise pick-up, but makes routine replacement less easy. They also have DC filament supplies for the preamp valves –a feature normally found on high-end boutique designs – which keeps AC hum away from high-gain audio signals.
The Artist 30's output stage is fixed bias. The Artist 30 also has a rear-panel tone switch for the built-in digital reverb, offering a choice of bright (modern) or warm (vintage) presets.
The front panel controls are easy to use. Channel 1 has a simple volume and tone control arrangement, while Channel 2 has standard gain, three-band EQ and a master volume, together with Blackstar's familiar ISF control, which continuously varies the EQ network from traditional British to USA response.
The front-panel tour finishes with a global master volume and level control for the digital reverb. Rear-panel features include a series effects loop with switchable levels, a speaker-emulated line out, a choice of speaker outlets and a footswitch jack for the supplied footswitches: a two-button one that switches channels and reverb. Overall, the amp looks smart and purposeful, with a style that manages to be vintage and modern at the same time.
Feel & Sounds
Switching on, the first thing that impresses us is how free of noise this amp is. Hum levels are practically non-existent, while the hiss you often hear on high-gain channels is so far in the background it's practically inaudible, even at whisper levels.
We tried out the amp with several different guitars, including an old Strat fitted with regular low-ish output Duncan Alnico Pro II pickups, a PAF-loaded Les Paul Standard and an Ibanez AFJ95 archtop jazzer.
Channel 1 is a very clean, low-gain affair with clarity and transparency that brings out every nuance of the guitar you plug in. The single tone control works smoothly to add or remove just the right amount of high frequency, making this channel very easy to dial in for any guitar.
If Channel 1 is clean, then Channel 2 is the Artist's 'nearly clean' channel. Here, with a fully featured EQ network, there's a lot more flexibility and the ISF control makes dialling in any sound very easy. There's just enough gain to take a Strat with regular low-output pickups into a mild crunch, but for serious overdrive sounds, an external pedal is needed, and that's an intentional part of the Artist's design logic.