Jim Dunlop BG95 BuddyGuy Signature CryBaby

US bluesman Buddy Guy uses a wah to add expression to his already emotive lines, and the BG95 offers a pair of user-friendly tonal settings.

Selected by a small yet perfectly useable kick-switch sited on the bottom right corner of the chassis, the choice offered is either Deep or BG, the latter being close to Guy's own particular tone.

A number of LEDs - either blue or red - let you know which setting you're using at any time and the chassis itself, which is up to Dunlop's customary tank-like standards, is finished in Guy's own trademark polka dot. What mileage now, a Randy Rhoads signature wah?

The battery cavity is accessed via a sliding and sturdy plastic lid, and the rubber slip mat on the treadle also bears the man's signature. It's a classy unit all round.

Sounds

After Dunlop's introduction of wahs from the likes of Zakk Wylde, Slash and Dimebag, it's nice to get back to a slightly smoother and more evocative effect.

The Deep setting is baby's bottom smooth and is perfect for very subtle 'oohs' and 'aahs'. The BG option is slightly thinner, subsequently providing more headroom at the treble end of the treadle's sweep.

This is easily one of the most satisfying wahs we've used in terms of the range and tone of the frequency sweep. At a full £90 more than a standard Crybaby, though, it is very pricey indeed. Nevertheless, it's among the most musical wahs we've ever played.

MusicRadar Rating

4 / 5 stars
Pros

Typically robust construction; quirky look; beautiful tones.

Cons

Seems expensive next to a standard Crybaby.

Verdict

Perfect for Buddy Guyalikes!

Case Included

No

Pickguard

No

On/Off Switch

No

Includes Bag

No

Left Handed Model Available

No

Batteries Included

No

Foot Pedals

Expression Pedals

Pedal Technology

Analogue

Fretless

No

Cutaway

No

Bolt-on Neck

No

Available Finish

Spotted

Features

Two Tones Deep and BG ( close to Buddy Guy's signature tone)

Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.