Fender Newporter Mini

Travel guitar or toy?

Like every niche in the guitar world, the so-called 'travel guitar' market is well catered for: virtually every acoustic manufacturer offers small-size/small-scale 'mini' guitars.

Along with its existing Baby and Big Baby guitars, Taylor re-drew the concept with its GS Mini - a small 597mm (23.5-inch) scale, 14-fret guitar with a big voice and price, which doesn't leave too much change from £500. Takamine's EG Mini is another cheaper contender with 578mm (22.75-inch) scale - and there are longer-standing choices such as Martin's LX series, not to mention the more radical Backpackers.

So what does Fender bring to the table? A Chinese-made mini that reuses the Newporter name from the '60s: a 576mm (22.6-inch) scale 14-fret guitar with, of course, a Fender Strat-style headstock.

The all-laminate-bodied guitar (spruce top, mahogany back and sides) is certainly diminutive, yet it's tidily made with a clean natural-satin finish and deep-brown mahogany neck.

Measured nut width is electric-like at 41.78mm (the GS Mini is slightly wider at 43mm). Yes, it's a little cramped but plays nicely, and is pretty in-tune thanks to the compensated saddle.

Sounds

The small soundbox kicks out limited, bass-light volume. But it's quite roomy and resonant and the electric-like neck feel might well suit lighter gauge strings.

Perfectly adequate for strum-a-longs and even songwriting; less so for more serious practising.

MusicRadar Rating

3.5 / 5 stars
Pros

Competent build; price; acceptable sound; the Fender headstock.

Cons

No gigbag; just a little bit ordinary…

Verdict

Yup, it works! Quite well actually, but there's little to make it stand out from the crowd.

Available Finish

Satin

Back Material

Laminated mahogany

Body Style

Mini dreadnought

Fingerboard Material

Rosewood

Hardware

Chrome

No. of Frets

20

Nut Material

Synthetic bone

Sides Material

Laminated mahogany

Top Material

Laminated spruce

Review Policy
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.