Your answers: Is the latest analogue synth revival a backwards step in technological advancement?

Are we just too hooked on these?
Are we just too hooked on these?

There is no doubt that analogue synths are great, be they past or present. The current analogue revival boom has seen a fair few manufacturers going back to their roots with new products.

Mainstream manufacturers such as Korg, Yamaha and Roland have all been getting in touch with their heritage of late. Combined with the Eurorack modular boom, it would seem we have a certain thirst for the old ways. Halcyon days of warmth, character, capacitors, tuning, patching, CV/Gate, resistors, voltage controlled this, that, and the other...

It does raise one question though: is this revival to the detriment of the technological advancement of synthesizers? Should we be looking forward and striving for new ways to create sound instead, or has everything already been invented?

We asked you, our beloved MusicRadar users, to leave your comments on the subject and you did in your droves. Here's what you had to say...

Your answers: Is the latest analogue synth revival a backwards step in technological advancement?

"I welcome the availability of modern analogue hardware. Analogue synths sound like an aural manifestation of electricity to me. Digitals do not. Now, you could argue that the MS-20 mini is a step backward, but then Korg put out the Minilogue."

Paul Clement

"No, there's plenty of companies doing innovative new things with analogue synths. Just look at Eurorack, analogue is about more than just nostalgia."

Hallam Smith

"I don't think they should be re-release anything. Making new synths with new capabilities that happen to incorporate analog sound sources are my favourite, such as the Elektron Analog Keys, or the Dave Smith Prophet '08. Some synths sound great despite being digital, like the Modor NF-1 or the Waldorf Blofeld."

Adam Hendrickson

"Every time Windows and its ilk shut down for updates without warning, I say analogue revival is a forwards step!"

David Wilkinson

"I don't really care what type of sound generation technique you use. As long as the sounds that come out of the box are cool. And so far, I've never heard anything that can beat analogue. Simple as that."

Andrew Jones

"Who cares? It's all sound and purely a raw material. It's the master who knows what to do with it. The internet is saturated with hardware and software developers making us think we need what they sell. Ears and ideas are more important."

Matthew Toole

"It really depends on what the builder is trying to do with it. If they're just releasing an old setup with a few new features, I'm usually not interested. If they're taking analogue and making it better or using it some new inventive way then all the power to them. That said, there's very little I wouldn't do for an original Oberheim synth or a CS80... that costs less than a new car."

Matthew J Leclair

"Yes, in a same sense that building violins and pianos today is technological step backwards."

Ivan Marovic

"I like hearing DJ's claiming they love the warmth of analogue… then I listen to their tracks and everything has been compressed and crushed to death lol."

Paul Owen

"It feels like overkill, but I would not complain. I hate that old gear is too expensive. You either produce great tracks or not. It's wonderful to have choices."

Ted Brewer

"No one asks if a classic guitar style is a step back in technology. They revel in the sound that they miss when they had their active Roland MIDI guitar. It's about good sound, fun and inspiration. If I find these elements using a remake of univac, who cares?"

Adrian Maule

Yes! All these sounds are easily achievable now… waaay too much gear and crap is no longer needed. Travel light - less headaches!"

Derryl Thomas Holmes

"What the f*** do we care? What we care about is what music is going to be!"

Sebastien Brunot

"How many analog synths does the world need? Computing power has been skyrocketing but instead of new sound synthesis tech, all that power is used to better emulate stuff that was out decades ago!"

Tunç Yalgin

"There are no backwards steps in art. Just steps."

Corey Pohlman

Simon Arblaster
Video Producer & Reviews Editor

I take care of the reviews on MusicRadar and Future Music magazine, though can sometimes be spotted in front of a camera talking little sense in the presence of real musicians. For the past 30 years, I have been unable to decide on which instrument to master, so haven't bothered. Currently, a lover of all things high-gain in the guitar stakes and never one to resist churning out sub-standard funky breaks, the likes of which you'll never hear.