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While many reverbs opt for convolution-charged ultra-realism or offer separate plate, hall and room algorithms, 112dB claims that its Redline Reverb takes a slightly different approach, with a single core algorithm that you can shape in a variety of ways.
The main selling point of any reverb should be its sound, and one of the things that impresses us most about Redline Reverb is its musicality. It really enhances the material, rather than fighting for space with it.
It's perhaps not the most realistic unit we've ever heard, but complaining about that would be missing the point: like the top-end digital units of yesteryear, it just sounds gorgeous. To demonstrate its abilities, place it on a vocal channel with its default settings, and you'll immediately get an effect reminiscent of an enhancer - only cleaner and sweeter.
If you want something a little special that can spice up and enhance anything from leads and pads to vocals and effects, or that can be used as an upfront creative effect, make sure you get your hands on this one.45 Stars