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“Part of our agenda was that we purposely couldn’t use anything that was making rhythms. We don’t really set limits for ourselves, but sometimes when we would do a song, we would have to find something that reminded us of a broken refrigerator whirring in the background.
“So we thought, ‘We’ll start with these clumsy little machines, these robots being the rhythm section, and that’ll maintain the humanness.’ I don’t know if this is one of the million little synth patterns we got off of this synthesizer from Sean Lennon. It’s this Wasp Synthesizer – it’s not a toy, but it’s a little plastic thing.
“The beauty of it is, you can get a sound on it, but it’ll disappear on you as you’re making it. It’ll shift around and do stuff, and you don’t even know if you can get it again. It was like, ‘Well, that’s the rhythm. Hope you like it, ‘cause we’re working on something that we can’t redo.’ And that’s cool. We like working with things that are destroying themselves as they go.”