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U2 see the end of the 'Horizon'

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Yesterday U2 officially announced a release date for their 12th studio album, No Line On The Horizon. The record, which at one time was thought to be released last month, will be issued on 2 March 2009 (the US gets a 3 March release).

And that's about all she wrote, aside from the fact that the disc was produced by longtime U2 producers Brian Eno and Daniel Lanois, with additional production by Steve Lillywhite, who has worked with the band on and off since their debut, Boy, in 1980. A track list for the set is forthcoming. So, the big question is...

What's it going to sound like?

"There is some dark, heavy stuff but there are also some lighter things," The Edge said in a recent interview. "Some we've really had to sweat to get and some just came so easily."

The sessions for No Line On The Horizon took place mostly in Dublin and New York, but a brief visit to Fez, Morocco yielded tracks that The Edge calls "religious sounding." Still, the guitarist stressed that the group didn't want to be "musical tourists," and of the trip itself, he said, "We came back with a certain flavour and influence and a sense of freedom."

"Guitar is such a versatile instrument, but it's very easy to get in a cul-de-sac in terms of how it sounds" The Edge

The words 'religious sounding' might be off-putting to some listeners, but Edge has also described a song called Breathe as a "fuck-off rocker" (sounds good to us). A track titled For Your Love features a riff that the guitarist calls one of his best-ever (sounds good to us too). And "Eddie Cochran with babershop harmonies" is how he labels a cut called Get On Your Boots. (All right, so far, everything's sounding cool.)

Better records through technology

It's common knowledge that The Edge is something of a gadget guy. Give him a new device and he'll find a way to write a song with it. No Line On The Horizon sees this trend continue, with the addition of a funky little stomp box called the Supersonic Fuzz Gun by a company called Death By Audio. The Edge describes the effect as "kind of 21st Century distortion," and indeed, the sounds are freaky and immense. The guitarist has said he utilized the Supersonic Fuzz Gun on the title track.

"Guitar is such a versatile instrument, but it's very easy to get in a cul-de-sac in terms of how it sounds," Edge told Mojo magazine. "I love anything that just gives it a different personality and this particular set of distortion pedals I think, are a different colour. It's like a different personality and that, for me, is a great jumping-off point."