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The 10 guitars that changed music

From Robert Johnson's Gibson to Jack White's Airline...

Chris Vinnicombe & Michael Leonard, Thu 9 Apr 2009, 4:50 pm UTC








7. Jimi Hendrix's Fender Stratocaster

A decade after Buddy Holly, Jimi took the Stratocaster on a sexually-charged interstellar voyage that didn't so much redefine the boundaries of the electric guitar as blow them to smithereens.

Hendrix used and abused lots of guitars in his all-too-brief career, but his white 1968 'Woodstock' Strat is the most iconic. Microsoft's Paul Allen is reported to have paid a cool $2 million for the instrument, which now resides in Seattle's EMP Museum.


8. Eddie Van Halen's 'Frankenstein'

For guitarists of a certain age, Van Halen's 1978 eponymous debut album was year zero for rock guitar. EVH set the bar for the lead guitar fireworks that would dominate mainstream rock for the next decade sporting a mongrel, self-assembled guitar with an original Floyd Rose, a Gibson PAF borrowed from an ES-335 and that iconic striped paintjob.

If you can track down one of Fender's 300 incredible Frankenstein replicas issued in 2007, expect to pay upwards of $25,000. Or just make one yourself like Eddie did.


9. Steve Vai's Ibanez Universe

The Ibanez Universe was the first commercially-available modern seven-string electric. Developed in collaboration with Steve Vai, the model went into production in 1990, but demand was low and 1995 saw no new models produced.

1996 was a different story though, and its use by bands like Korn and Fear Factory saw the Universe reintroduced, with the rumbling low B of a seven-string becoming de rigeur for the burgeoning nu-metal scene.


10. Jack White's JB Hutto Montgomery Airline

Although Jack White uses a number of different guitars, his red and white resoglass pawnshop/junkshop prize is the one with which he's most readily identified. In an era in which to many guitarists the blues means thousands of dollars worth of boutique gear and the pursuit of some sort of tonal Holy Grail, White is both a beacon and a conduit.

Through his raw, visceral music it's possible to reconnect with the white knuckle, seat-of-the-pants blues of the likes of Robert Johnson and Son House while simultaneously exploring new themes and sounds.

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User comments (3)

  • Berwick

    Avatar for Berwick

    3 weeks ago.

    Jack White..come on.is this an April fool joke

    Mark as inappropriate

  • toyhouse

    Avatar for toyhouse

    24 weeks ago.

    hahahahaha.
    Ivor....you're right!
    I was enjoying seeing all those axes and agreeing with the choices until I hit the Jack White axe.
    Iconic? I don't know.
    Even the 7 string I thought to be a bit of a stretch?
    Perhaps a better choice would've been a double neck?
    Jim.

    Mark as inappropriate

  • Ivor

    Avatar for Ivor

    31 weeks ago.

    Hendrix, Harrison, Christian, .........but Jack White? Really?

    Mark as inappropriate

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