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“It’s strange to find yourself in the studio with the Stones, that’s for sure. Woody wasn’t in town yet, so Keith called me up and said, ‘Why don’t you come down and play?’ I had met the guys before, and Don Was the producer – I knew him. Keith wanted somebody to play off of him. It was great – every night was a shared musical experience. I kept being invited back.
“They had every room at Ocean Way booked; there was something happening all the time. Tracking, editing, mixing – every room had some kind of activity. We’d get there at seven at night and wouldn’t leave till five or seven the next morning. It went on for a month and a half. So many great sessions went down.
“On interesting story about this record: Don Was came to me and said that he wanted me to play lead on a song called Has Anybody Seen My Baby? I said, ‘Really?’ And he said, ‘Yeah, it’s Mick’s tune, and Keith doesn’t want to play on it, but if you play on it, I know he will.’ So I said, ‘OK.’
“So we’re setting up, and I’m listening to it with Mick and Don, and every time this one spot came up, something sounded wrong to me. Mick went out, and I looked at Don and said, ‘Somebody is playing something wrong in this spot. Listen.’ So we started isolating the parts, and it came down to Mick was the one who was playing it wrong. Don was like, ‘Waddy, you gotta tell him.’ I said, ‘Me? I’m not producing this!’
“But he asked me and asked me, and so finally I went out and said, ‘Mick, isn’t the chorus supposed to go like this?’ I played it for him, and he said, ‘Yeah, that’s right.’ I said, ‘Well, you’re playing it wrong.’ He was like, ‘What?! What the fuck!’ We go to the lounge and he pulls out his notebook, and he’s got chord symbols for himself written on the page. ‘See?’ he says. ‘It’s right there.’ And I said, ‘Yeah, it’s right on the page, but you’re not playing it right.’ And he went, ‘Fuck!’ So he went back in and replayed his part.
“I'm always amazed at how diligent both Mick and Keith are about every piece of music they work on.”