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“I entered into Keith’s orbit when he was in L.A. working on Hail! Hail! Rock ‘N’ Roll, the Chuck Berry movie. I got a call from somebody who said, ‘I represent Keith Richards, and he’s looking for you. ‘He’s looking for me?’ I said. ‘Well, why don’t you give him my number – you found me!’
“He told me to call Keith at Larrabee Studios. I got him on the phone and he said, ‘Waddy! How are you? Listen, I’m putting a band together, and you’re in it.’ I said, ‘Well, OK. There goes the audition process.’ Keith was like, ‘No audition. You’re in.’
“Working with Keith’s guitar style was interesting. Because of the way I approach things, I’m looking for those holes. That’s what Danny Kortchmar and I would do: Find where the other guy isn’t, and that’s where you have to be. With Keith, if he’s playing a trebly sound, I’ll use my Les Paul; if he’s doing a big, fat rhythm sound, I’ll play my Strat. We locked very quickly, in fact. It was very easy for me to find the right spots.
“We were all amazed at how it came together. We barely rehearsed before we went to Canada. The only song I knew was Take It So Hard, and that’s because it was the one that was the most finished. We didn’t even rehearse before we started working on the record. With the song Struggle, there’s the part where there’s a drum break, and I remember looking around and nobody knew what to do – we hadn’t rehearsed it. Steve Jordan did his bit on the drums, and I thought, ‘If somebody doesn’t do something here, it’s going to come to a halt.’ So I did a walk-down bit that was completely improvised. I went for it. It was like that – very loose but totally remarkable.”
“The level of musicianship in that band was astonishing. Keith, Steve Jordan, Charley Drayton, Bobby Keys, and then you add Ivan Neville – the match was so great. Positively the best band any of us has ever been in."