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"It's probably my best overall production. The synth that I used on Surrender came back on Dream Police, the song. I even sang on it – that’s me going, ‘Police! police!’ in my little falsetto voice. The assistant engineer sang with me, too.
“In Gonna Raise Hell, I put some organ in the middle, which gave the section a real religious, sanctified feeling. I had a lot of fun working with the guys. It felt like a true collaboration between us.
“As always, the band were total pros. The only problem with this album was that the group had a tour booked and we only had 30 days to do the whole thing. And then after we finished it, it sat on the shelf for eight months because the Budokan live record was selling and the label wanted it to play itself out.
“The breakdown section in Dream Police was all planned out; Rick had the entire thing written. I wish that the drums were louder, though. It’s almost like the Keith Moon drum performance in Won’t Get Fooled Again. Bun E. did a brilliant job, just amazing. Incredible fills. Everything he played should have been louder.”