“We had made Theater Of Pain, and that was a struggle. The band was experimenting with some hard drugs during that record, and that’s not good for playing, decision making or anything else. By the time we got to Girls, Girls, Girls, they had straightened out and were much stronger.
“We got a great guitar sound. This is the kind of rock ‘n’ roll record that is right up my alley. Things were tight and punchy – it was powerful.
“The song Girls, Girls, Girls was really, really good. The minute I heard it, I knew it would be a hit single. And the guys did their research lyrically. Name-checking various strip clubs… they knew their subject matter well.
“The motorcycles you hear in the song? That’s me. I revved up Vince Neil’s Harley at the beginning, and for the end I’m riding off on Nikki’s. We used stereo mics with a Nagra reel-to-reel and recorded the bikes right outside the studio.
“Mick’s rhythm guitar playing is a real key to this band. On the song Girls, Girls, Girls, his rhythm guitar is the whole hook. If you look at all of my big hits – this one, Cat Scratch Fever, Surrender – they’re all driven by the rhythm guitar.”