“Peter had a tremendous catalogue of great songs, and he had a very aggressive manager, Dee Anthony. If you trace Peter's career, it’s a very good one in the sense of the experience he had with The Herd and then Humble Pie. I’d done a couple of albums with him – they didn’t sell too well, but the songs were fabulous.
“What he was doing was laying the groundwork, much like KISS did. KISS toured behind their first records, and so did Peter. He started to figure out, ‘Hey, this could really work.’ That’s what’s missing today: Bands don’t have the chance to fail. Not that Peter failed, but he had the chance to play the shitty gigs and figure out what the audience wanted.
“The band was great. Working in the studio with Peter, prior to the live album, I found him a drummer named John Siomos. John was phenomenal – he had played on the Carly Simon record, and that’s when I recommended him to Peter. That was the foundation right there. And, of course, he had the best bass player [Stanley Sheldon] and the best keyboard player [Bob Mayo]. It takes time to find musicians who really click with you, and these guys clicked.
“I recorded it with the truck again. The stuff sounded great, but did I know it was a hit? No – you never know. If I could predict what the public was going to want, I’d be an incredibly wealthy man today.”