“After Bruce and I did Loverboy, we started to get attention. Bon Jovi were beginning to get big – I saw them in Circus and Rock Scene and Creem. People were talking about them. They came up to Vancouver, and we did the whole thing in six weeks, recorded and mixed.
“The band had songs written, and they came in like a gang from New Jersey to do pre-production. But they had fun, too: they invaded all the strip joints and completely obliterated the city. We recorded all of the basics in the studio live off the floor. Everything was done very quickly.
“When Bruce and I finished it, we thought the song that could be a hit was Livin’ On A Prayer. I remember having a conversation with him at the board, and he said, ‘Well, I hope the record goes gold so we can get some more work.’ [Laughs] That’s as high as we were aiming.
“The record was one of those magical things where everything works. The engineering and mixing that I did, everything Bruce did, the way the band wrote with Desmond Child – it all came together. We tried to do the same thing with the album New Jersey, but it just wasn’t the same.”