“I had met Bryan when he was 16 and in a band called Sweeney Todd, so I knew him for a long time. Growing up in Vancouver, I was involved in all sorts of things with him. But when I went to do this album, I really do believe that he still saw me as an assistant engineer. It was very tough for me. He didn’t really let me do what I do. He fought me on everything.
“I think it was also because of his time with Mutt Lange. Bryan knew that he had to change things up. He was writing with different people. He wasn’t working with Jim Vallance, and he wasn’t writing with Mutt, either. That was the difference. I don’t think Bryan was really confident in the record. I think he was trying to figure out what the hell he was supposed to do, how he was going to move forward without Mutt or Jim Vallance.
“In a funny way, he and Vallance had a bit of a Joe Perry-Steven Tyler relationship, or a Jagger-Richards relationship. They wrote songs together, and at some point it didn’t work; they didn’t like each other personally for a while. They’ve been writing again, and I’ve done some songs with Bryan, and it’s a lot better now. Things have to change, and people have to change, for it to work again.
“Having said all of that, I like the record. It was transitional, and it was good. It had only one hit, the Spice Girl song [When You’re Gone, featuring Melanie C], but the rest of it is really good. It’s very listenable.”