At first, we hear the sounds of schoolchildren on the playground - innocent, unspolied, complete in their world - and then, amidst an acoustic guitar and and a Phil Spectorish jingle stick, Noel begins singing what very might be his own teenage symphony to God.

Bass and electrics climb aboard, with Noel's double-tracked voice becoming mega. Strings emerge, big and bold, in a chorus that's an absolute grabber - we're talking fists in the air. Whether it's an homage to the Wall Of Sound or not, it caresses the senses in much the same way.

The sonics increase, and before long Noel is at the top of his lungs, open-hearted and open-throated - it's a delirious feeling. After a brief, gentle break, the song breaks away into a grand gallop. Here's one pony that can't be tamed.