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Here’s a crazy first single. Jared Followill’s fuzzed-up, zooming bass kick-starts this groove-filled number, over which cousin Matthew Followill adds a swirling top-string riff.
While bass playing dominates the verses - Jared drives the rhythm so violently that he sounds like a helicopter hovering overhead - the whole band gangbangs the chorus, with cymbals crashing, guitars zipping every which way and Caleb growling in all his ragged glory about sin and redemption over the din.
A dash of a gospel choir can be heard towards the end, and while it might be a subtle nod to their sons-of-a-preacher-man roots, it’s not as cheesy (or as obvious) as it sounds.