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The 6/8 time signature gives things a different feel, and was a meter that John employed in several songs. Pick the bass notes with the thumb, but this time instead of using the first finger to strum the chords, you can employ a light brush of the ‘i’ ‘m’ and ‘a’ fingers. Just ensure that the strumming hand is relaxed so you’re not too strident when you strike the strings.
The runs between each chord can be sounded with the picking-hand thumb throughout; just make sure that you keep the timing even when moving from strumming several strings to picking one. Bar 7 Here, we find the use of sus2 and sus4 voicings which add another character (these chords do not feature a major or minor third which gives them a ‘suspended’ sound). To see how distinctive this sound can be, listen to George’s opening chord on A Hard Day’s night, a G9sus4.
Watch out for the grace notes here – the challenge is to hardly sound them, and to keep the timing in place.