“The very first song we worked on. It began as one of Christine’s things, something called Keep Me There. I remember Richard and I almost got fired while trying to record it because we spent five days on drum sounds – the band thought we were clueless.

“They ran through it one day and John McVie did that incredible bass line – just like that it just came to him. What a part! Next, the band began playing the tag at the end, that big rocking section. Amazing. Then, out of nowhere, Lindsey played a screaming guitar solo. Really exciting stuff.

“Over the next nine months, we’d revisit the song. There was great playing on tape, but it still wasn’t right. Finally, three weeks before we wrapped the album, Lindsey figured out how to connect everything. He took the verses apart, played a Dobro and asked Mick to play a straight quarter-note beat on the kick. Next, Lindsey rewrote the chorus and put a whole new rhythm to it. Everything clicked.

“The Chain changed drastically over the course of a year, but there was something about it that always made people think it was worth coming back to.”