“Lindsey was beating his acoustic guitar as hard as he could and screaming his lungs out. The first time I heard it, I thought, What the heck is going on? [laughs] It sounded so non-musical. I didn’t know if anything would come from it.

“As the months went on, we filled it out and it became a song. Lindsey figured out some fantastic guitar parts to lay down. In particular, he did an acoustic part on the 1, a flourish overdub, and that really drove the rhythm.

“There’s two guitar solos, the tag and the first one. For both, Lindsey didn’t know what he wanted - the song had progressed from an acoustic piece into this searing electric rocker. I gave him seven or eight tracks and he comped the solos. They sound seamless, as if they were totally composed, but they weren’t.

“The right drum approach was crucial. One day, Lindsey came in and said he heard Street Fighting Man by the Stones, and he thought that kind of feel would work well. I remember watching him guide Mick as to what he wanted – he’d be so animated, like a little kid, playing these air tom fills with his curly hair flying. Mick wasn’t so sure he could do what Lindsey wanted, but he did a great job, and the song took off.”