Sport & Auto
- About Future
- Digital Future
- Cookies Policy
- Terms & Conditions
- Investor Relations
- Contact Future
“Stevie didn’t always have a lot to do. If she wasn’t singing, she’d bang on the tambourine, but that was about it. She had a lot more free time than the other band members.
“There was a spare room down the hall called Sly Stone’s Pit, and it had a piano. This was like heaven to Stevie. She spent hours in that place, just writing simple, three-chord songs. One day she came out the pit with something called Dreams.
“Once Stevie and Lindsey figured the song out, we had some tempo and groove problems. Things felt fine, but they had to be perfect - the rhythm had to be rock solid. Mick Fleetwood is a great drummer, one of the best, but he’d shift his parts and dynamics around - every drummer does.
“We made an eight-bar loop of Mick's playing, which created this fantastic, deep hypnotic effect. It’s funny, but when people talk about the classic rhythm section of Mick Fleetwood and John McVie and they point to this one song, I’m always amused that they’re talking about a drum loop.”