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“It came about because of my involvement with Carole and my playing on James’s record. I think I might have played on four five cuts on Tapestry, maybe half of it, and the other half was by what turned out to be Carole’s band, which was actually Danny’s band, Jo Mama. We split up the duties. We did it at A&M Studios in Studio D, with Lou Adler producing.
“Working with Carole is very easy. She’s a master and she can articulate exactly what she wants – because she knows what she wants. It happened very quickly. The songs I got to play on were a pleasure.
“I had a feeling that something was going on. I guess we would just call it the family, with the group of people that we were all circulating with. There was Peter, Lou Adler, multiple record labels – we were playing on lots of things. The Eagles were just starting to happen. Jackson Browne was starting – during this time, we cut the first Jackson Browne record. There was so much going on around at the same time.
“I don’t think anyone knew that Tapestry was going to be the record that it was. It just kept going and going and going. With Sweet Baby James and Tapestry, Sweet Baby James was from a male point of view, and Tapestry was from a female point of view. They touched so many people and gave them a drink for a thirst that was not being clenched. When those two records came out, they drank it up."