“I had done some work on a record of Herbie’s called Lite Me Up, and I remember one of the record company folks saying something like, ‘If this record doesn’t go double platinum, we’re gonna hang up a For Sale sign in front of Columbia.’” So, of course, the record did nothing.
“Herbie had run out of money, and so I was hired to go over to his garage where he was making this record with Bill Laswell and Michael Beinhorn producing. Total shoestring. I came in and worked on something like half of the record, but I did mix the whole thing.
“Sampling was just starting to happen. I had an AMS sampler, and I used that on a lot of the record. Herbie spent a lot of time messing with synthesizers, so my job became to just help him get everything done and to set up a mood. I kept things moving along.
“Herbie was going to try to sing on the song Rockit, like he had done on Lite Me Up, but in the end he didn't. I remember Michael Beinhorn saying, ‘C’mon, rock it, Herbie!’ That’s where the title came from. The same guys who said that Lite Me Up had to go double platinum came in to hear Future Shock. One of them said, ‘There’s no vocals,’ and they started talking about the idea of putting some singing on the album. At that point, Bill Laswell got up and said, ‘Fuck you, I've got a plane to catch.’ And he walked out. He knew the record was great, and of course, it was. It became a big hit.”