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“My first solo record. The great thing about when the band broke up was, we did it with no animosity. Nobody wanted to sue anybody; everybody just kind of drifted apart. We had toured for six years, and after Billion Dollar Babies, everybody just kind of went, ‘Wow… I’m exhausted. Let’s get paid and go buy some houses and do, you know, whatever.' But the three of us – me, Shep and Bob Ezrin – we had an idea for something that was going to be bigger than Billion Dollar Babies.
“At that point, that’s when I think I lost the other guys. To me, when you’re coming off a number one album like Billion Dollar Babies, that’s not the time you want to back off. You have to hit people with something even better. When nobody wanted to go on that ride, I just went, ‘OK.’ Bob said, ‘I’m in,’ Shep said, ‘I’m in.’
“We went out and shopped around; Bob and put a band together that was the best of the best, and we sat down and wrote this album. Again, it doesn’t matter if you think you have 10 number one hits, because when you go out solo you’re really taking a chance. It’s never a sure thing; it’s always a gamble. Shep put all of his money into the production. I did, too, as did Bob. We rolled the dice and went, ‘Boy, this really better work.’
“As for the band breakup… I grew up with those guys. I went to school with them, I ran track with them, I went to art class with them – this was all before The Beatles. We went through high school together, we went through college together, we went through the draft board together, we lived in LA together, we starved together, and then we made it together. We really did well for quite a while.
“So going out on my own after being literally attached at the hip to these other four guys, it was definitely weird and a little scary. But I had so much faith in Bob and Shep, and I knew what I had. I knew I had great songs, and I knew I had an idea that everybody was gonna love – being in Alice Cooper’s nightmare. It was the perfect time for that, actually.
“We even got Vincent Price on the album. We were saying, ‘Who’s going to be the curator at the spider musician?’ We started ticking off names – Christopher Lee, this guy, that guy… Bob Ezrin went, ‘Well, Vincent Price would be the ultimate.’ I thought there was no way that could happen, but we gave him a call and he said, ‘When do you want me over there?’ I was like a little kid – Vincent Price! He came over, did the vocals, and he even did it on stage with us. He did the video, too. It’s like he was in the band for about a month.”