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A hooky yet mysterious acoustic-and-electric guitar figure that recalls Metallica’s One opens what turns into a thunderous riff-o-rama that features a bigger-than-all-get-out chorus.
Largely in the background for much of the album, Steve Harris’ bass lines command the bulk of the first half of the song. But wait! What’s happening? Suddenly, there’s an unexpected (or should we have anticipated such by now?) shift in tempo and chord patterns and we’re plunged into a section that recalls - don’t freak - U2’s No Line On The Horizon.
Tangled bits of guitar lines tie it all together and the band whams down a crashing crescendo, but not before yet another soon-to-be classic Maiden guitar solo.