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PRODUCED: Original run 1964 - 1965
TYPE: Solid body, offset double cutaway, 4-string
BODY: American Alder
NECK: Maple, bolt-on, 22 medium frets plus zero fret
SCALE LENGTH: 851mm (33½-inch)
FINGERBOARD: Rosewood with small white dot markers
HARDWARE: Chrome, Rezo-tube bridge/tailpiece, Van Gent black button open gear tuners
PICKUPS: Three Nu-Sonic type initially then changed to three Rez-o-Matic Bass versions
CONTROLS: Volume & two Tone, 3-way Selector Switch
FEATURES: Offset ‘toast rack’ wrist rest, large scrolled headstock, brown or grey tortoiseshell scratchplate
FINISHES: Polyester White, Greenburst
COMMENTS: When Hank Marvin of The Shadows asked Burns to make him a signature guitar a matching bass was also required to keep the uniformed look associated with the band.
The Shadows Bass was duly designed and built for John Rostill and such was the interest it created a small production run was begun. Rostill’s bass was actually slightly different to the production models with ‘Marvin’ on the headstock and both the pickups and the toast rack palm rest were not set at an angle.
The Rezo-tube bridge/tailpiece featured four individual aluminium tubes for added resonance so the strings are loaded through the body. Unusually the upper strap button was located behind the upper body horn rather than on the end.
Following the initial run the Shadows Bass was continued by the new parent company Baldwin from 1965 - 1970. It developed an elongated scroll headstock and staggered Schaller tuners but these are less sought after today.
With the relaunch of the Burns name it reappeared during the nineties as a very favourable edition with Rez-o-Matic pickups and even a fretless version then in 2005 Burns of London acquired Rostill’s original bass and produced a limited run of The Shadows Bass 1964 which was modelled as close as possible to this lovely instrument. However it also benefited from an improved bridge and enhanced electronics with push/pull tone pot for two extra pickup combinations plus a 5-way selector switch.