10 questions for Grooms’ Travis Johnson

When he’s not creating mangled noise-makers as co-owner of boutique effects company Death By Audio, Travis Johnson can be found fronting New York alt-rockers Grooms.

New album Exit Index is awash with woozy guitar textures, recalling the likes of Sonic Youth, Autolux and …Trail Of Dead - no surprise given Travis’s tonesome background.

The guitarist even went as far as creating a limited-edition tremolo pedal, named after the group’s latest record.

“I wanted to make a tremolo pedal to come out with the Exit Index because, almost randomly, there is a lot of tremolo used on it,” he recalls.

“I've barely used tremolo before but came across an old Fender Princeton amp with tremolo, given to me for free, and decided to record most of the guitars with it.”

“I decided to try and make something that involves tremolo but really pushes it in weird ways. I like weird, noisy, idiosyncratic effects, so I decided to use the noisiness of that Fender amp and give it more violence, almost like a Leslie, with lots of aggression and thump that can, but doesn't have to, mangle the signal. It can make really angelic, pretty sounds and alien, harsh ones too. I hope people have fun with it.”

Sounds good to us. We quizzed Travis on his playing background and why he wishes he could just stick to one tuning…

1. What was your first guitar and when did you get it?

“I found my dad's acoustic Yamaha when I was 12. My parents got me a $150 Squier when I turned 15. I still play both (but don't record with either, really).”

2. The building’s burning down - what one guitar do you save?

“Jaguar. Sounds the best, takes a beating. Currently tuned something I can't remember.”

3. What's the one effects pedal you couldn't do without, and why?

[I couldn't do without] the Boss TU-2, just because of all the tunings I play in. I couldn't really play live without it

“It's boring, but the Boss TU-2, just because of all the tunings I play in. I couldn't really play live without it. Less boring: Boss PS-3 [Digital Pitch Shifter/Delay] - Death by Audio stuff doesn't count because I'm biased.”

4. Is there a guitar, or piece of gear, that you regret letting go?

Moog Murf. I feel like I'll get another at some point, though.”

5. And what's the next piece of gear you’d like to acquire?

“BAE 1066 DL 500 series module. Takes up three slots, though, so I'd have to make room.”

6. What’s your favourite chord, and why?

“Probably a major 7th. It's the ‘yearning’ chord.”

7. Is there an effect you’d like to create that doesn’t exist yet?

“Some modulation ideas that I'd love to work on when I get the time. There's definitely still a lot of room there for new stuff.”

8. If you could have a guitar lesson from one guitarist, dead or alive, who would it be, and why?

Annie Clark of St. Vincent does a lot I wish I could do without being flashy

“I never took any lessons, so I don't know that I'd want to start now, but I guess... Annie Clark of St. Vincent. She does a lot I wish I could do without being flashy.”

9. What’s the worst thing that’s ever happened to you onstage?

“I fainted once, while singing. Crashed into the mic stand. And my mom was there.”

10. What advice would you give your younger self about playing the guitar?

“Stop playing in those stupid tunings.”

Exit Music is out now via Western Vinyl.

Michael Astley-Brown

Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.