Based loosely on G Mixolydian (G A B C D E F), this one features bending, stinging vibrato, chromaticism and some 6ths typical of Steve Morse. In the last bar, we suggest that you use your first finger to start each group of triplets making the line easier to manage and phrase properly. Consider slight palm muting when picking and using the neck pickup when high up the fretboard (plugged into a distorted valve amp).