The KB37 is a great multitasker, coming in handy for guitar, bass, vocal and keyboard recordings. What’s more, its compact size and light weight make it ideal for carting around with a laptop. If the KB37 came with the plug-in version of GearBox, it would receive very high marks. As it stands, however, there’s no way of altering sounds once they’re recorded -- a major drawback. Redemption, however, comes in the form of incredible ease of use and very high quality sounds, and these features ensure that the KB37 emerges as another fine Line 6 product.
The MusicRadar Team, Tue 23 Oct, 12:05 pm UTC
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TonePort™ KB37 delivers world-class POD® tone for guitar, bass, and vocal tone with the added convenience of an integrated keyboard controller. TonePort KB37 comes with Line 6 GearBox™ modeling software, which provides a must-have collection of 16 guitar and 5 bass amp/cab models, 29 stompbox and studio effects, and 6 models of high-end studio microphone preamps. And with its exclusive ToneDirect™ monitoring, super simple set up, and full-sized keyboard, any musician from beginner to pro can easily record studio quality tracks.
TonePort KB37 maximizes your creativity with a full-sized 37-note velocity sensitive keyboard controller to add even more sounds. You also get pitch bend/modulation wheels, transport control and patch select buttons, and four assignable real-time knobs & buttons so you can tweak to your heart’s content.
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Decent keyboard. Great sounds. Quality audio interface. Covers all bases. Hands-on control of software amp parameters.
Can’t use software as a plug-in. Only one velocity curve option. Could use a couple more rotary controllers.
Despite a few limitations, the KB37 is a very tempting proposition for new-to-computer-recording guitarists to consider.
All MusicRadar’s reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.
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