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It's not exactly sexy, but this monitor matrix is certainly damn useful
Jon Musgrave, Thu 4 Sep 2008, 11:10 am BST
If you want to use more than one pair of monitors or maybe need talkback, a monitor matrix offers a brilliant halfway house between frustration (in the form of endless re-plugging) and an expensive mixing desk.
We say 'expensive mixing desk' because, typically, it'll need to be pretty good to provide even basic multiple headphone, talkback and monitor capabilities.
Presonus already produces the Central Station – a high-quality rack-mounted matrix with wired desktop remote. It's a great unit with relay-assisted audiophile circuitry and is therefore quite expensive. So, the appearance of the MS at such an affordable price is good news.
In terms of features, the Monitor Station treads similar ground to other comparable units (Mackie Big Knob and Samson C-Control, for example). The basics are three monitor outputs (each with its own output trim), four headphone outputs with individual gain and three stereo inputs (ST1, ST2 and Aux) for feeding in your DAW or external stereo devices.
All connections are on TRS jacks apart from the Aux input, which is on phonos. This third input also has an optional preamp stage with gain control for use with turntables (you can activate this from the front panel).
In terms of monitoring, you get the one main level control for all speaker outputs, so it's important to line up your different monitors using the trims. This way, you won't get any nasty surprises when switching.
In addition, there are mute, mono and adjustable dim buttons plus talkback with level control. By default the talkback uses the onboard mic, though you can plug an alternative dynamic mic in at the back, activating it with the front-panel switch. Unfortunately, there's no phantom power option. Things on the top panel are rounded off with an eight-segment LED input meter.
The unit allows for two signal flows – Main and Cue – and this is reflected in a number of ways. First up, the front panel selectors (ST1, ST2 and Aux) are duplicated either side of the metering. The left side selects sources for the Main bus and the right side for the Cue.
Next there's a Cue output level control on the front panel and output jacks for Cue and Main on the back panel. Finally, you'll find a selector for either Cue or Main below each phones output.
In essence, the Main output feeds your monitors, the Cue output feeds an outboard headphone amp should you have one, and either Main or Cue can be selected for the onboard headphone outputs. The main difference between them, apart from the sources you select, is that the Cue bus carries the talkback signal (the Main bus doesn't).
This is the case even if you select the Main bus for the headphones, so you won't get any talkback in this case. Indeed, you'll find that with the headphones selected to Main the mono switch also affects the signal (this isn't the case when Cue is selected).
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I used to own the Mackie Big Knob, which was very clear and had lots of interfacing and routing options (more than Presonus) but the Monitor Station has more than enough of those options for my DAW setup and the sound quality was hugely improved when a/b'ing with the Mackie. So now I own it and love it! I can highly recommend it over any other "center console" applicable units out there...
Bobbi Style
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Flexible. Straightforward layout. Multiple headphone outs.
No digital input. No phantom power.
An excellent combination of flexibility and value makes the Monitor Station extremely desirable.
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Monitor Station
BobbiStyle
Wed 17 Sep 2008, 6:48 am BST
User rating 5 of 5