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The design of the C2 makes it easier to use than the C1.

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• Review

The C1 Organ was Nord's first dedicated two manual Hammond B3/Vox/Farfisa emulator and it's fair to say that Clavia got it pretty much spot on first time round. However, the C2 promises to improve on an already winning formula that has many fans.

The C1 is considered pretty authentic and quickly established itself with the very hard to please Hammond emulator community. So what's new and improved this time around? At first glance you would think not much has changed but there are numerous improvements both under the hood and cosmetically.

What's new?

First up, the percussion controls have been moved much nearer the manuals, which is very welcome, and now have additional coupler modes in the new pipe organ mode. The vibrato/chorus (and now tremulant) controls have also been moved to a more easy to reach position and the vibrato/chorus manual selectors have been moved from the drawbar area to a much better place with the rest of the vibrato/chorus controls.

One thing missing is the old C1 Unison Mode (this was a kind of three mode stereo chorus); not a big deal for us, but still worth mentioning. Also, the rotary speaker controls now double as couplers in the pipe organ mode, allowing one manual's stops to be played by the other, coupling of the lowest bass note to the super low bass stop for massive rumbling bass, plus further coupling of both manual's stops to the pedals and more (there are seven coupler modes for maximum flexibility).

"All in all, the C2 is much more logically laid out and quicker to use on the fly than the C1 which is a real bonus."

While on this topic, we should say that there's been a slight renaming of the break control from 'break' to 'stop' (used to stop the rotary speaker spinning). Pipe organ stop names have now been added under the drawbars, too, and preset space has been increased from 100 to 126 slots to accommodate the extra pipe organ programs, so there's plenty of scope for creating plenty of your own sounds.

Our review model arrived with the front mounted rotary speaker flick switch (an extra cost option), which works great and goes in the same position as on a real B3 to preserve the authentic feel. This connects to the rear panel via a jack and screws into the front underside of the C2.

All in all, the C2 is much more logically laid out and quicker to use on the fly than the C1 which is a real bonus. All the easy to access sub menu features are listed in full on the front panel too, which is handy, though we wish this was a peel off sticker as it does detract from what is a beautifully put together and great looking instrument.

One of the most endearing features of the C1 organ was its lightweight form factor and the C2 thankfully retains this lightness too, being only one pound heavier than its predecessor. It's very easy for one person to pick up which is great for such as large instrument and it certainly beats dragging a real Hammond around!

The action of the manuals is pretty much the same as the Nord Electro 3 and is great for organ playing. It's slightly stiffer than a real Hammond but still a joy to play, and it's possible to set the organ to play with a very quick trigger point for super fast playing.

Keyboard click can be altered to taste, too, and most other sections have further tweakable parameters in the sub menu system. It's easy to change percussion volume, decay, rotary speaker horn and bass rotor speed and acceleration, plus there are three tonewheel modes that allow you to turn your C2 into a beaten up sounding or brand new sounding organ as you wish. There's also the possibility to cancel the ninth drawbar when percussion is engaged as on real Hammond - very authentic.