MusicRadar

A comfortable workhorse guitar

1 of 2 » View in gallery

• Review
• Manufacturer's Description

In the beginning, Takamine was the name of a craggy old mountain outside the Japanese town of Sakashita.

It seemed a strange place to set up a business making handcrafted acoustic guitars, but that's exactly what happened in 1962 when a family of luthiers opened their premises in the foothills.

Logically enough, the fledgling company took its name from the mountain and thus Takamine was born.

Over a 44-year timeline studded with guitar innovations, awards and artist endorsements, Takamine has become one of the most prominent names in the acoustic guitar sector.

You could argue that Takamine's success is down to the sheer quality of their premium instruments (built in Japan to shit-kickingly high standards).

We would counter that it's equally down to their G-Series: the entry-level range of Chinese instruments that was introduced several years ago to blanket acclaim.

Cheap guitars are the lifeblood of rock 'n' roll. And they don't come much cheaper than the EG260C, introduced by Takamine last June to bolster their budget line.

Overview

According to the sales rep TG spoke to, you won't ever see a G-Series electro-acoustic for less than this.

They're not a bloody charity, you know. A quick visual inspection of the EG260C pushes all the right buttons.

The body shape is known as the 'FXC'. Loosely translated, this means it's a little more compact than your average dreadnought and should theoretically excel at fingerpicked runs.

The basic outline is complemented by a generous single cutaway and a strap pin that doubles as the lead input, while the neck, body and headstock are all coated in black gloss (we also had the option to choose from either a Sunburst finish or Wine Red).

As a general rule of thumb, TG prefers to see the grain of our acoustic guitars, but we will grudgingly admit that the smoky finish works well with the white binding in this instance.

There's nothing wrong with the cornerstones of the EG260C's build, with a tough-looking heel and a good fretboard both inspiring confidence.

At the same time, we have seen tidier finishes than this. The soundhole and the edges of the fingerboard had a couple of little chips and dents, plus a few specks of white paint you would normally see on a builder's transistor radio.

None of which will have the slightest impact on playability or tone, however, but it did make TG feel a bit like we had been given a dirty fork in a restaurant.

As for tonewoods, the realists among you will have guessed that it's laminate woods all the way in this price bracket.

That's not the end of the world, though, especially when you consider that the EG260C has a spruce top and mahogany body, with mahogany forming the basis of the neck and a strip of rosewood making up the fingerboard.

The chrome tuners also look smart (although they haven't got the smoothest action we've ever felt), while the presence of a TP-4 preamp with three sliding EQs and a Gain knob suggests that we should be able to dig out a workable tone at the very least.

That said, an acoustic guitar should be able to perform without the help of Jim Marshall, so for the moment we're strumming with just the EG260C's natural response for amplification.

Despite claims of its finger-picking prowess (which is admittedly pretty good), we actually felt this guitar's strongest suit was pounding through chords with a light pick.