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We look at a thunderous 12-fretter from Ovation and give our verdict.
Matthew Wig, Tue 23 Oct 2007, 12:08 pm BST
This is essentially the Adamas version of Ovation's old-style Folklore model, but with a slightly slimmer neck.
The textured Fibronic top is old-school Adamas, but otherwise it's styled and spec'd more like the plainer, modern SMT/CVT models.
Within this guitar's standard issue deep bowl is some tidy, if a little glue-splodged, joinery. The light, vertical fan bracing, which is known as Quintad, is a vital factor in the Adamas soundboard's enhanced vibrational response.
The laminate top has two 0.13mm (0.005-inch) carbon fibre outer layers and a 0.89mm (0.035-inch) birch or poplar veneer sandwiched between.
The carbon fibres run lengthways, while the wood veneer grain is offset at 60 degrees to yield a very thin, rigid membrane that offers improved dynamic response compared to thicker, more heavily braced spruce tops.
Outside, its matt black finish is lightly speckled with gold, which does look a bit like you've been decorating too near to it.
Of all the Adamas soundhole designs, the five-piece epaulet is the simplest option, using maple, walnut, teak and padauk.
Love it or loathe it, this helps to strengthen the portholes. As usual, the white outer binding is left very sharp-cornered, and looks a bit cheap.
Joined via the standard double-bolt method, the laminate neck features the central ebony stratum, the ebony fingerboard and black headstock face of contemporary Adamas models.
Cleaner, and with less filler round the inlays, this model's fingerboard is tidier than that of its Ovation cousin.
While the slotted headstock may increase the string break angle over the nut, its slimline design forces the middle two strings to rest on the central section, which isn't ideal for tuning stability.
Understandably, these side-mount tuners are a bit stiffer than the other guitar's set. All other details match the Collectors' model though.
To play, this similarly profiled neck is wider but not deeper than the other model's, so it's a bit roomier for your fingertips, without feeling any more cumbersome.
It all feels very slick, too, in that dry satin kind of way. Not that it really matters on a 12-fretter, especially considering this model's slightly higher action, but you can spot some typical 'rolling off' of the fingerboard beyond the body joint if you're looking down from the nut. It's a common issue that the previous LX model's neck is designed to eradicate.
Equally spot-on 12th fret intonation, however, may still tempt some to stretch into that region. Typically, this standard deep bowl tends to move around when you're stood up playing, clearly proving what a welcome tweak the Deep Contour bowl is. Again, the sharp-cornered body binding is uncomfortable.
With the 12-fret neck's ideal bridge placement and all of the Adamas' other intrinsic tweaks, there's a considerable boost in volume and general beefing up of the whole sound compared to the Collectors' model.
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Consistent action and intonation at all neck positions. Nifty preamp.
Slightly squidgy bottom end. A few minor imperfections.
The Adamas isn't breaking new ground but it delivers an interesting and thoroughly enjoyable fusion of concepts. It's expensive, but then it's a unique, strictly limited commemorative edition.
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.




2005 Collectors' Edition