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It is unfortunate that Fender's early policy of supporting their guitar models with a sympathetic bass design apparently stopped short of the Jaguar. While the Telecaster introduced the stirrings of the original slab bodied Precision, and the Stratocaster the more luxurious contoured body for the same, the Jaguar failed to have a bass directly associated to it.

 

Although it inspired elements of the design of Fender VI six-string bass, as regularly used by Jack Bruce, it's taken over 40 years for a true four-string version to materialise.

 

Design

 

An amazingly eye-catching design, first impressions are extremely positive - albeit with a sense of entering a time warp. Much of that is due to the tasteful selection of traditional parts like the vintage-styled bridge, the creamy aged look to the scratchplate and the classic open-gear tuners.

 

Add to that 'aged' lacquer on the neck and the seemingly discoloured pearloid block inlays and the reissue illusion is complete. Only two pickups here though and it doesn't take long to realise that the general design is a neat combination of the body and scratchplate from the original Jaguar guitar and the bridge, pickups and neck from a Jazz Bass.

 

Cross-pollination of design and hardware is an idea used by Fender many times over the years, and although not all of the resulting hybrids have found favour with the musical populous, this particular one has to be declared a total success.

 

Without doubt the alternative black finish body also looks dead cool but, for us, this vibrant hot rod red colour with matching headstock is mouth-watering. Ironically for such a backward-looking design it comes loaded with the very latest in active bass circuitry, as well as a heavy slice of traditional electronics.

 

As it happens, thanks to the over indulgence of switches and knobs on the original Jaguar guitar, there are loads of wiring options available without having to fit clumsy push/pull pots or extra micro switches. This has got to be one of the most effective designs ever to encompass so many controls.

 

The use of three separate chrome plated control panels is incredibly neat so no wonder the result is visual bliss.

 

Taking another leaf out of the Jazz book, the Jaguar has an ultra slim, maple neck that just seems to disappear beneath the hand, but as far as the overall feel of the instrument is concerned, this is a very different playing experience. It's certainly comfy to use, particularly when standing, even though it is very slightly headstock heavy. String spacing is very generous and the use of the original bridge design with threaded saddles is an unexpected bonus. That, along with the traditional open gear tuners, is so much a part of the Fender bass legend so it's good to find both here.