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The Tele nestled in a Road Worn Strat sandwich

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This writer has yet to file a two-word guitar review but in this case it got close. What two words? Buy this! It really is that simple. Vintage Fender Strats, Teles, Precision or Jazz Basses, have to be among the most lusted after instruments for any guitar player.

Yet escalating prices, not to mention the question of authenticity, have put many of us off. Fender's so-called Time Machine Series brought the illusion of a vintage Fender to many more people: a high quality guitar, as close to the real thing as you could get, without the worry about authenticity or insurance.

You could keep your real one in a bank vault and gig the NOS, Closet Classic or Relic and only you would know. The trouble with that, however, is that for many of us £2k plus is still a lot of cash.

"Even before we plug in there's evidence that these guitars are about more than just looks – the acoustic ring is superb."

We got an inkling, however, that Fender was gearing up to do something about this dilemma when it launched the Joe Strummer Telecaster – the first, more affordable Mexican-made guitar that was aged and distressed.

We heard more rumours that the Mexican workforce were taking all sorts of implements to their usually finely finished guitars. At the end of 2008 we were let in on the secret: Fender had been working on a mini-range of 'Road Worn' guitars, Mexican Relics to you or us. The wait is over.

'50s Road Worn Telecaster

With its single-ply white scratchplate and unthreaded steel saddles this ash-bodied Tele is modelled more on a mid-fifties example rather than the early fifties Nocaster that's been the mainstay of Fender's Time Machine series for many years.

It also uses the post-1967 wiring that offers each pickup individually or, in the centre position on the three-way switch, combines both in parallel: 'normal' to most of us.

It's not the lightest Tele we've ever encountered but it's far from back breaking; the neck is quite full but not over big and those mirror-like bigger Dunlop 6105 frets make it play smoothly and precisely even though the fingerboard radius is an old-school 7.25-inches.

But it's the ageing that really seems to have moved on from Mexico's first 'relic', the Joe Strummer Tele. The thin blonde finish is muted and gloss-less and sinks into the ash's broad grain.

A cream undercoat is visible, and while there are numerous dings and scratches they all are sensibly placed. There's no belt-buckle wear but with the nitro-cellulose finish additional dings will swiftly appear after a few gigs – if you want a heavier relic there's always the DIY route!

But seriously, less is more. It looks, certainly from a few paces, very real indeed, perhaps with the exception of the more formularised fretboard 'wear'. The early fifties-style logo, the aged hardware and the slight colouration of the white single-ply guard really do look old. Only the Made In Mexico and serial number decals on the back of the head really give it away.

As with the rest of the range, Fender is using its well-accepted Tex-Mex pickups, although these ones look correctly old and used. But even before we plug in there's evidence that these guitars are about more than just looks – the acoustic ring of the guitar is superb. In our book, that's always a great place to start.