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The Duo-Sonic has vintage vibe in spades

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Back in the mid-1950s the burgeoning electric guitar market needed to attract new blood, so many stores began to offer music lessons to youngsters. It was a great way to create sales so long as the price was right, which meant a guitar that was simple and quick to produce.

In 1956 Fender introduced the single-pickup Musicmaster and the dual-pickup Duo-Sonic priced (by February 1957) at $119.50 and $149.50, both considerably cheaper than the Stratocaster which topped the line at $274.50.

Termed 'three-quarter size' the body was full size but the scale length was reduced by three-inches to 22.5-inches.

Fifty years on and the Duo-Sonic is back in our stores, reappearing as part of Fender's entry-level Squier line within the new Classic Vibe range. Let's take a look…

Vintage vibe

The Classic Vibe series, which also includes two Strats and a Tele, isn't meant to be historically accurate – the guitars are as much based on the original early 80s Squiers as vintage Fenders.

But of the range, this Duo-Sonic really does a very good job of nailing the original design. The fundamental difference is that, sensibly, the scale length is increased to 24-inches (the same as the Jaguar), and we have a different name on the headstock, but it has vintage vibe in spades.

The Duo-Sonic features a really good desert sand finish over a thinner 38mm thick basswood body (with rear belly contour), that is more opaque than the original blonde. It may be manufactured in China but its finish takes you straight back to 1950s America.

Robust feeling

Likewise the brushed aluminium scratchplate – a deeper gold than the originals and hopefully the anodising is more robust – that holds the two cream covered single-coils, Tele-knobbed volume and tone, the output socket and a robust feeling three-way toggle pickup selector on the treble-side horn.

There's no vibrato, but the top-load bridge is efficient with three saddles that, like a Tele's, are adjustable for height and intonation. However, they are not as accurate as a Strat's individual saddles. The tuners are standard split-post vintage types and the 'student' cream plastic buttons suit the guitar.

Stellar neck

But we've left the best until last: the neck. While not vintage accurate it is superb, with a wide 'C' profile that feels 'right' from the off.

Medium gauge frets are cleanly installed and polished (there's a little gap under one end which should have been spotted) and the untinted maple finish, which matches the desert sand, is perfectly done without the sometimes over-thick feel of a lacquered maple fingerboard.

A small point but we have a modern truss rod access behind the nut, which is a lot easier to adjust than the vintage end-of-the-neck style.