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Ibanez's famous seventies Artist moniker has been applied to a pair of new electric guitar outlines that share the twin humbucker/set-neck spirit of the original design.
Chris Vinnicombe, Tue 23 Oct 2007, 12:10 pm UTC
Revving up the ARC300 it quickly becomes clear that it's very difficult to split these guitars regardless of the amount of gain employed, even though their individual pickup pairings have different model numbers.
The ARX100 is perhaps a little more raw and aggressive, while the single cutaway ARC300 is possibly a touch more polite, the maple maybe reining in some of the mahogany's natural mid-range push.
We're talking the tiniest variations here though, and not something that is going to be particularly apparent at gig volumes or in a recorded mix, especially with compression and equalisation.
You could do much worse than investing £329 in an ARC300, even if you've budgeted a bit more for something like an Epiphone Les Paul Standard or Korean Tokai. This Ibanez guitar is considerably better in terms of sound and feel than many of its closest rivals and it's testimony to the kind of quality to price ratio exhibited by modern Chinese manufacture.
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Snug feel. Big sounds. A little pricier than the ARX100 but still good value.
Tacky abalone fretboard inlays. Some might prefer a more old-school bridge and tailpiece.
You could do much worse than investing £329 in an ARC300, even if you've budgeted a bit more for something like an Epiphone Les Paul Standard or Korean Tokai. This Ibanez guitar is considerably better in terms of sound and feel than many of its closest rivals and it's testimony to the kind of quality to price ratio exhibited by modern Chinese manufacture.
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ARC300