MusicRadar

Single coils, yes! Black and polepiece-less? Very much a matter of opinion.

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• Review

The dual humbuckers that grace so many PRS guitars perhaps pigeonhole them as coming more from the Gibson side of the tone tracks. But from the first PRS guitars - such as the 25-year-old Custom, still PRS's bestselling instrument - PRS has offered single-coil tones via the original five-way switching and the later 'McCarty package'.

And don't forget the smattering of guitars over the past quarter-decade that have featured true single-coil pickups, such as the 1988 Studio, the USA-made EGs, the later 513 and the SE EG. The 305, however, could be correctly seen as PRS's first 'proper' attempt to nail a more accurate Stratocaster-like single-coil sound.

"On paper the 305 looks like a simplified version of the 513, with its five single-coils trimmed to three."

It seems PRS's artist programme was the genesis. "Basically Winn [Krozak, who heads up PRS's artist liaison] couldn't do his job without this guitar," Paul Smith told us recently.

"There were too many people that wanted that tone. It's like the player is missing the colour blue, he needs that colour to paint."

On paper, the 305 looks like a simplified version of the 513 (launched 2004). The five single-coils are trimmed to three, with a single five-way pickup selector, and the scale length is increased to a full 648mm (25.5-inches, the same as a Fender Stratocaster) over the 513's 641mm (25.25-inches). For context, most PRS guitars are 634mm (25-inches).

The body is alder, slightly thicker than standard, joined to a maple neck in a different manner from standard PRS guitars. Under the neck heel, the body sticks out to 'grab' more of the neck. This is a feature Smith conceived to increase the guitar's low end.

Other changes to narrow the gap between PRS's usual recipe and that of Fender include the use of 250k volume and tone controls and a 0.05 microfarad capacitor.

Like the neck joint, the 305 uses another of the 513's subtle features: a compensated nut. PRS has always used a compensated nut - the nut is moved slightly closer to the first-fret position to improve lower position intonation - but the 513 was the first to advertise the fact. Similarly here, its front edge is angled slightly closer to the first fret on the bass side to tweak the tuning further.

The 25th 305 comes with other celebratory features: the 25th Eagle on the rosewood-faced headstock, black/white Corian shadow bird inlays, 513/ DGT fretwire and a bone-coloured case: watch the dirt.

Sounds

Imagine a good Strat with increased low-end colour, smoother but still biting highs and a little added mid-range fatness. Then add in superb sustain, immaculate intonation and playability and an excellent in-tune vibrato system and you have a real 'supercar' version of Fender's finest.