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Smaller is often better in hi-tech circles, and the super-compact, good-sounding Roland HD-1 is no exception
The MusicRadar Team, Wed 21 Nov 2007, 2:17 pm UTC
In the world of computer software, wherever there's a good product to be found there will (eventually) be a 'Lite' offshoot. Stripped of some of the more complex features of the full version, the Lites are conceived to hook punters into the line and deliver them, flapping with excitement, to the doors of local retailers a while later, begging to be sold the fully-featured product for several hundred pounds more.
The reasoning is simple: give consumers a taste of what the product can do for them, dangle the carrot of extra functions, and watch them crack open the piggybank once they've exhausted the potential of the Liteware.
Roland's V-Drum line, while consisting of hardware products, is very much a range built on the capabilities of seriously hi-tech software. The mesh head pads and sexy tubular racks of gear like the TD-12K and TD-20K are all well and good, but without the processing power of the software within, they'd be a pretty but useless assemblage of rubber, nylon and metal.
Bearing in mind this reliance on boffin-created software, it's perhaps in keeping with the thinking of the day that Roland has recently come up with its first V-Drums Lite package. The HD-1 bears the slogan on its box (so it's not just us poking fun) and the bijou little kit adheres closely to the ethos of the Lite world.
Bereft of many of the features of the upscale V-Drum line, it still offers a teaser experience of the bigger TDs. The question, as with all such Lite gear, is whether it's a valid product in its own right, or a kit crippled by corners cut too far...
Build
Whatever the final verdict on the validity of the HD-1, there's no arguing that it's an impressively cute little thing. But it's cute in a serious rather than silly way. From the diminutive little module sited atop the compact silver rack to the pod-like pedal housings, there is (as with all V-Drum offerings) clear evidence of some heavy-duty design having been brought to bear on the new kit.
And while it might be Lite in nature, the HD-1 is no flimsy toy. In fact its solidity is one of the most remarkable things about it. Sure, it's not as stable as a full TD-20 rig, but the kit is heavy enough to stay put during use, and build quality (another Roland trademark) is sufficient to assuage any fears that it'll only be good for the occasional tap-around.
Even the hi-hat and kick pedals - often the least chunky aspects of more affordable e-kits - are metal, and the housings into which they fit are of the kind of high-impact plastic that's up to a beating. Not that that ever needs to happen.
The kit slots together easily and, once it's all in place, provides a decent balance between compactness and playing space. One of the very reasons for the HD-1's existence is to offer space-deprived drummers a kit that will fit into a corner, but there's enough scope for positioning the four drum and three cymbal pads that, unless you're of Peter Crouch-type dimensions, you shouldn't feel like a monkey perched behind a set of cotton reels.
And so to the pads themselves. And what a treat they are. A mesh head snare pad is accompanied by three cushioned rubber tom pads and a trio of cymbal pads with 'half rubber' playing surfaces. This arrangement makes for as quiet a playing experience as possible - there's no escaping a dull thud from the pads (nearsilent mesh head aside), but the acoustic response from the kit is as muted as Roland could make it.
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Cute but serious compact design. Solid sounds.
Limited sound range. No bpm info or training features.
The V-Drum line is essentially a premium series, so although this is the entry-level, the HD-1 was never likely to be a sub-£300 product. It has its limitations but it fulfils its brief as a super-compact, good-sounding practice set very well. Surprise at the price has to be balanced against the superb build quality and general design.
All MusicRadar’s reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.
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