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This is a great kit for starting out on the digital road

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• Review
• Manufacturer's Description

The march of progress very often divides opinion. For every flag-waving digital evangelist there's a vinyl junkie somewhere bemoaning the demise of the 12" single. But there are some things that no one can find fault with. Sometimes improvements are made to products that merit a thumbs-up from us all. Enter the newly upgraded Traps E400...

Ch-ch-ch-changes...

A quick glance at the gallery and you might think that nothing's changed, and, in most respects, this E400 is exactly the same as the previous E400 model. The rack, mesh-head drum and plastic cymbal pads go more-or-less unchanged (aside from a small but significant improvement that we'll come to), but perhaps the most important part, the bit that'll do most to commend or damn the E400, is the brain, and here we have a marked upping of the ante over the previous incumbent.

The sound source for the original E400 was, shall we say, limited in terms of its scope and sonic nature. The kit has always been affordable, but even judged against its reasonable price tag the first incarnation sounded underwhelming. It was rather noisy, tonally dated and looked distinctly early '80s - in all, not really a winner. But Traps took the criticism of the first unit on the chin and has come up with a rather better offering for the E400 v2.

Bigger and better

Somewhat confusingly bearing the legend '450 Module' on its face, the new larger brain immediately cuts more of a dash than the original. This one has an LCD screen and decent-sized data wheel, surely the minimum expected of any such unit worth its salt these days. And it just looks and feels better.

There are no tiddly blue buttons to deal with, instead bigger, rubberised types take care of selecting parameters, editing, etc. Oh yes, there's some of that available too. Where the first E400 was limited to 'variations' on each basic sound, the 450 Module allows for more in-depth tweak-ery.

There's not the scope available from pro rigs like Roland's 10-times-more-expensive TD-20. So don't expect to get the sound of a 13"x4" maple/ walnut snare recorded with a Shure SM58 in Abbey Road Studio Two over a 15"x7" titanium drum fitted with 42-strand wires miked up with Rick Rubin's favourite Neumann. If you want that control, sell your soul and stump up for a pro-level kit.

Given that the E400 is unlikely to be pressed into too demanding service, the level of control over reverb time, EQ, pad assignment and so on is perfectly adequate. This kit is for getting you started down the digital road, or for rehearsing when you can't use your acoustic kit.

Set list

With 30 kits and 50 backing songs present in the 450 Module there's sufficient to cover a fair number of bases. The play along tracks are perhaps one of the weakest aspects of the unit in that they're resolutely stuck in the mid-'80s in terms of sounds.