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A masterful remake of Remo's classic skins
Jake Stacey (Rhythm Magazine), Fri 18 Sep 2009, 12:03 pm UTC
Cranked up, the heads sang fairly well but it was obvious that a mid-range tuning suited the heads better. Slackening the heads off let the feel come to the fore, and at a moderate tension the tone was strident and full, decaying fairly quickly with no harsh overtones. That said, the Vintage Emperors didn't struggle to cut through, but the mids and lows were accentuated by the natural twin-ply damping.
The heads proved particularly adept on the two floor toms - 14" and 16" - skillfully controlling that excessive rumble you sometimes get on a 16"x16" with thinner heads.
Compared to standard Emperors, the Vintage was warmer, with a slightly quicker volume drop-off, which is possibly attributable to the thicker film. The Vintage also appeared to offer a marginally brighter fundamental tone.
With some twin-ply heads you get a slightly plastic-y initial attack – a sort of 'thwack!' sound that is subsumed into the main body of the tone, but this isn't evident with the Vintage Emperors. It's one distinct tone, very warm and full, and on our test kit the heads lacked the harsh overtones that lead to an over-abundance of gaffa tape.
Rather than plunder their historical heritage for instant kudos, Remo has taken what musicians liked about its products from the 1960s and '70s and applied modern manufacturing methods to give a vintage sound that has all the consistency and reliability of today's heads.
Remo Vintage A Heads
Remo RemO's
Remo Designer Djembes
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Enhanced low frequency response. Warmer fundamental tone – creamily evocative of, well, Cream, Led Zeppelin et al. Heavier, more-durable film. Wide tuning range.
Nothing of note.
Rather than plunder their historical heritage for instant kudos, Remo has taken what musicians liked about its products from the 1960s and '70s and applied modern manufacturing methods to give a vintage sound that has all the consistency and reliability of today's heads.
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.





Vintage Emperor