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Impressive signatures from Turkey via New Orleans
Adam Jones (Rhythm Magazine), Thu 24 Sep 2009, 3:57 pm UTC
Stick sound is beautiful, a clean metallic ping against a near-perfect shimmer of wash
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The tuning leans towards trashy but in a gentler manner than that of an equivalent china. Crashing the Pang Thang gives a more china-like response, though with less aggression involved and a longer decay.
Of the two new Smash Crashes only the 16" model was sent for review. It's a warm-voiced crash with an assertive edge that helps it cut through well for a relatively small diameter.
The 20" Trash Crash is the cymbal equivalent of a mutant species. In essence, it's a 20" crash to which seven huge hammer blows have been added around the outer circumference. The blows are so deep that the edge has been pushed into a wave. The effect they have on its sound is just as dramatic, giving it a buzzy and distorted tone.
It's surprisingly good as a weird ride, supplying a recognisable stick sound above discordant pockets of wash. When crashed it explodes in a furious burst and then chokes back rapidly, the hammering also influencing the amount of sustain it produces. An unusual, but strangely addictive cymbal.
Stanton Moore and Bosphorus spent two years working on these cymbals before their initial launch, and it shows. As a set they sound complete, slotting together harmoniously in terms of tone, pitch and volume.
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Offer myriad textures and sounds. Individual models respond to virtually all dynamic levels. The hi-hats, rides and Smash Crashes are great value.
The Pang Thang and Trash Crash require more man-hours to produce and this makes them more expensive propositions.
Stanton Moore and Bosphorus spent two years working on these cymbals before their initial launch, and it shows. As a set they sound complete, slotting together harmoniously in terms of tone, pitch and volume.
All MusicRadar's reviews are by independent product specialists, who are not aligned to any gear manufacturer or retailer. Our experts also write for renowned magazines such as Guitarist, Total Guitar, Computer Music, Future Music and Rhythm. All are part of Future PLC, the biggest publisher of music making magazines in the world.





Stanton Moore Cymbals