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The new colour-coding helps differentiate cell types.

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It’s fair to say that the majority of contemporary music is ‘sound-driven’, and nowhere is this truer than in the area of beats. When you’re putting your beats together, any limitations in your software will quickly become apparent. So what’s the answer? Quite simply, a job-specific tool, and in this case that means a drum machine. Native Instruments’ Battery is one of the finest examples; now at version 3, it’s established itself as something of an ‘MPC’ for the software generation.

To cut right to the chase, Battery 3 is an important update. The sampling engine has been revised and a bunch of improvements bring the software right up to date. As before, it works standalone and as a plug-in on PC and Mac, but it now comes with a 12GB sample library that includes over 100 preset kits. The Battery interface is still dominated by a customisable cell matrix, but this can now include up to 128 cells.

Other new features include a wave editor, cell-specific timestretching, better cell effects and a new master multi-effects section. If you tire of the included library, you can easily expand Battery 3, for it supports a plethora of sampler formats. It can also now handle sliced loops, including those in the Apple Loops and Acid formats.

On the performance front, new features include a humanise option and a selection of drumming articulations. Like a number of its stablemates, Battery 3 has also been given a visual overhaul - the angular, scientific look of earlier versions is gone. NI have added colour-coding options to make cell allocations more obvious, and revamped the browsing and loading options. If all of this sounds a bit much, or you’re simply new to Battery, eight step-by-step video tutorials are included to get you going.

The updates

Just as in version 2, Battery’s workspace is divided between the aforementioned cell matrix and the edit pane, with the master section running along the top. This makes for a simple layout, and if you want, various parts can be ‘folded away’. Factory kits are loaded from the master section or via the full browser tab at the bottom of the screen (kits from all three versions of Battery are grouped in their own sub-menus).

Once you’ve got a full-on kit patch open, the visual improvements in Battery 3 become clear. Envelope settings come up as shaded areas over the cell waveform and you can view a cell’s information simply by waving the cursor over it. In terms of sound, the expanded library is excellent. As well as adding to the natural kits found in version 2, it also extends its coverage into sound design territory, with the Armageddon and Noise kits featuring various impulse-type noises. You can easily import individual cells from these when building up your own sound set.

On the subject of customising, the ‘articulations’ feature lets you apply standard drum performance techniques (flam, roll, drag and so on) to any cell. This doesn’t require any extra samples, though the fact that it takes advantage of different velocity zones means it sounds best when used on multisampled cells. Articulations certainly add to the realism, and the same can be said of the new convolution reverb in the master effects section. Rather cheekily, you can even drag any loaded sample into the convolution window for use as a convolution source!