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The CS-80V is one of six synth engines available.

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There’s no denying that Arturia’s analogue synth emulations look and sound fantastic, but their power and complexity can be intimidating.

Even the most seasoned sound designer would approach something like the Moog Modular V with a degree of trepidation – getting the most out of an instrument with such scope requires patience, dedication and more than a little synth programming know-how.

However, not all of us have the time or inclination to learn our synths inside out and would rather someone else do the hard work for us.

To the rescue comes Analog Factory, a multiple-model-emulating soft synth armed with a collection of 2,000 classic synth presets. These have been created by what Arturia describes as “a selection of the most talented sound designers worldwide” and are accessed via the software’s simple two-part interface.

Half of this is taken up by the Preset Manager, which enables you to select patches either from the full list of 2,000 or by filtering the available selection by Instrument, Type and Characteristics. So if you want a bright Minimoog lead sound, you just click the appropriate labels and watch as the most suitable presets are displayed.

Keyboard

The rest of the interface is home to the virtual keyboard. This also features a basic bank of controls that includes an ADSR envelope, chorus and delay effects, filter cutoff and resonance knobs, and LFO rate and amount controls. It’s all very simple, even when compared to most synth ROMplers.

It should be pointed out, however, that Analog Factory is no mere sample playback engine. It uses the engines from Arturia’s classic synth emulations to generate its sounds, so you can hear the difference between the filters on a Minimoog patch and on a CS-80V patch, for example.

The Virtual Keyboard also features a row of four Key Parameter knobs – these are assigned appropriately for each preset. While they can’t be reassigned, they do give Analog Factory much more depth and flexibility than any ROMpler equivalent – it’s like having a load of specially designed synths that feature just the essential controls.

The sounds

Analog Factory’s concept is certainly a good one, but the proof is in the prodding.

Once the program has been installed, cycling through the available sounds is simple. The filtering system makes it easy to pick out appropriate presets to audition, though selecting additional categories displays more search results rather than whittling them down. So, if you select Ambient and Bright in the Characteristics menu, all the ambient and all the bright patches are displayed, rather than just those that are both ambient and bright.

In terms of sound, Analog Factory is right on the money. While some of the presets are slightly non-descript affairs, there are plenty of inspirational patches that are great fun to play right from the off. A wide variety of analogue sounds is available – you’ll find acidic leads, full-bodied basses, huge pads and complex FX – and it’s clear that they’ve been carefully programmed.

Many of the sounds are extremely expressive – experienced keyboards players will be in their element – and in lots of cases, the mod wheel is tied to an appropriate control (filter cutoff, oscillator detune, etc).