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The Kontakt interface is easier to navigate than in previous versions.

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For this, the third generation of its software sampler, Native Instruments has been listening to the pleas and prodding of Kontakt users, and has come up with a fair few keen ideas of its own.

Some, such as full built-in sample editing, might seem obvious, while others, such as the improvements to the user interface, can only be appreciated after some time spent using the software.

Kontakt 3 ships on no less than six DVDs, and installation is a simple if time-consuming process. With a total of 33GB of sample data (17GB of which is new content), it took us around two hours to install the whole thing.

Fortunately, version 3.01's installer offers the option of installing only the individual libraries and plug-in formats that you need.

The interface

The GUI has been given an overhaul, but long-time Kontakt users will nevertheless feel right at home. Once loaded, all of the new instruments sport a Performance View, which enables instant access to various useful parameters without the need to plough through the Instrument Editor.

To give you an example, the Rock Guitar instrument has controls to adjust the cabinet type, distortion drive amount and room ambience, among others. The Kalimba instrument, on the other hand, offers reverb and a chord function.

These Performance Views are created using Kontakt's KSP scripting language, and can be uniquely tailored to each instrument, complete with custom background image, greatly enhancing usability.

Performance Views can also contain nifty features like self-contained drum machines, layering, pattern sequencers and more, and can make individual patches seem like self-contained instruments.

Full editing

While many samplers offer basic waveform editing, NI have always taken the idea to the extreme, building in a full-blown editor with all the trimmings.

Zone Envelopes are probably the most notable addition, being freely drawable envelopes that can be applied to each and every sample. You can do all the things you've come to expect from NI's multi-segmented envelopes, including cutting and copying regions, and snapping regions to grids.

They can be used for all manner of modulations too, not just the basics like volume. You can also loop them and avail yourself of the Randomize Envelope function to create nifty rhythmic modulations for each sample.

One great touch is that your Zone Envelope can be forced to follow the playback speed of the sample; so, if you play the sample an octave higher than its root, the envelope will play back twice as fast to match the change.

While we probably wouldn't go as far as to suggest that you'll have no more need for your copy of ReCycle!, this third incarnation of Kontakt can carry out most of the same types of tasks.

You can chop up your rhythm loops and easily assign slices to individual MIDI notes. Kontakt 3 generates a MIDI file of the slice positions, which can be dragged into your host sequencer. You can also use the Zone Envelopes to individually modulate and process each of the slices.

In addition to the Wave Editor you'll find the dedicated, destructive Sample Editor. This is where you can perform permanent edits, such as fixing DC offset, applying fades, etc.

It enables you to perform many duties that might otherwise require a third-party program. Common tasks such as normalising and fades have dedicated buttons to make the job as painless as possible.