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How well will Flux fare in the less glamorous world of audio analysis?
Bruce Aisher (Future Music), Sat 28 Jan 2012, 5:54 pm GMT
French software company Flux Sound & Picture Development has garnered a reputation for high-quality and functionally detailed plug-ins, such as the Epure and Solera. It has also brought research from the the world-class IRCAM audio research facility in Paris to market in the form of the collaborative 'IRCAM Tools' plug-ins.
It's fair to say that many Flux plug-ins fit within a house-style that makes extensive use of colour - especially in level displays and graphical readouts. This brings us to Flux Pure Analyzer System, which distils some of these design ideas, but with a very particular focus on visual analysis - this software will not change your sound directly in any way.
"A feature-set that covers areas that a pro mastering, broadcast or live engineer might want to explore."
It's important to realise from the outset that, unlike Flux's previous offerings, the Pure Analyzer System (PAS) is not a plug-in. However, the system consists of two main components, one of which IS a plug-in - confused yet?
PAS separates the process of signal acquisition from that of analysis. Therefore, if you are a DAW user, you'll need to install SampleGrabber - the plug-in element - in order to provide the standalone analyser software with something to 'look' at.
Although this might seem a little counter-intuitive, it does in fact make the system more flexible. The really interesting part of this is that the two elements can be installed on different computers, with different operating systems, and connected via a standard network. To test this we installed SampleGrabber as a VST plug-in under Windows and the Pure Analyser on a MacBook Pro running OS X Lion.
Both were connected using a cheap Ethernet switch (which happened to also connect to an Internet broadband router). With SampleGrabber inserted as the last effect in the main output channel of Cubase, we loaded Pure Analyzer on the Mac, selected "Studio Win 7" from the drop-down menu, and the analyser burst into life.
However, it become noticeable quite quickly that while SampleGrabber exerted a modest CPU load on the main DAW computer, the laptop analysis machine was eating a hefty chunk of the available processor resources - in fact, nearly all of them! This situation was helped by halving the default engine and display rates, which brought cut the load by 50%.
It should be noted that at the centre of the system lies Pure Analyzer Essential, which provides the core analysis types - more on this shortly. You can also upgrade the system with various extras - 'Live', 'Metering' and 'Multichannel' options - that add additional forms of analysis and expand the functionality of existing ones.
There's no doubting that PAS is pleasure to look at, the software coming with a range of custom layouts that arrange combinations of visual modules into commonly used configurations. The modules consist of:
· A Spectrum Analyzer for viewing amplitude against frequency, with an array of smoothing and colour options.
· A Spectogram, a scrolling display of frequency changes over time.
· A Spacial Spectogram that represents frequency content in the spacial domain (left vs right etc).
· A Vector Scope, which enables you to check for channel correlation/phase issues.
· A Surround Scope, for determining the spacial spread of signals in the surround domain.
· A Wave Scope (simple oscilloscope display).
· Good old-fashioned Metering, for all kinds of level analysis.
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Mesmerising (and useful) Spacial Spectogram display; flexible networking topology; three comprehensive metering options.
Definitely not for the casual user.
This is a comprehensive system, but may be overkill if you don't have broadcast or live in mind.
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Pure Analyzer System