MusicRadar

• Review
• Manufacturer's Description

There's always been a huge disparity between Pro Tools LE/ M-Powered and HD, and to make the jump from one to the other involves a level of investment that's far beyond most people.

As a result, there must be quite a few LE/M-Powered users who are frustrated with their lot, gazing longingly across at the greener grass of HD in the knowledge that they'll never be able to go there.

Fortunately, help is at hand, for we now have the clumsily named Music Production Toolkit (MPT). This is designed to bring some palliative relief to LE/M-Powered users by expanding their software's feature-set.

The only slight drawback is that you have to upgrade to PT version 7 (this costs £65), and on Mac be running OS X 10.4. So there could be a double - or even a triple - hit on your wallet.

Just a few years ago, a 24-track studio was the height of recording luxury, but these days 24 audio tracks are rarely enough (as many LE/M-Powered users will have discovered).

Whereas once we had to make do by bouncing tracks and making critical decisions early on in the session, today we know that it's easily possible to have in excess of 100 tracks running, so it's frustrating to have our wings clipped.

Overview

The new Toolkit extends the audio track count of LE/M-Powered to 48. Tracks can be either mono or stereo and at up to 96kHz sampling rate. This is probably the biggest benefit of the Music Production Toolkit, as it will enable people to work on far more complex sessions and mixes.

Beat Detective is one of the more jaw-dropping features in PT, as essentially, it enables you to quantise audio. It's especially useful for correcting wayward drumming and other rhythmic anomalies.

In the standard LE/M-Powered, Beat Detective works only on mono or stereo tracks, which isn't much use when you've recorded with a full complement of drum mics. The MPT steps it up to multitrack functionality (the same as in Pro Tools HD), which is great news.

Also welcome is the addition of the Sound Replacer plug-in, which is great for bringing in new drum sounds if the recorded ones don't come up to scratch. Load in up to three samples (for the audio equivalent of velocity layering) and with a bit of trial and error you can create a track with the new samples lined up exactly to the peaks of the recorded sound. You can also layer these in with the originals to add extra punch to the sound.

Plug-ins

Much of the MPT's appeal lies is the additional plug-ins it offers - another of these is the DINR broadband noise reduction. This isn't new (it actually precedes Pro Tools), but you'd struggle to find a more tried and tested processor.

Suffice to say, it does a good job at getting rid of hisses, hums and rumbles by 'learning' the noise spectrum and subtracting it from the audio.

A more recent addition to Pro Tools is Smack! LE, a radical compressor that's decorated like a vintage valve unit. It's a fixed threshold compressor, which means that you have to vary the input to control the amount of compression.